Tale of the Muse
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Poetic forms

Structural rules, quoted; plain explanations; public-domain examples.

Each form page quotes its structural rules from the poets.org glossary, restates them in plain words, and, where we found one, shows a public-domain example from Project Gutenberg with its original publication date.

Sonnet (Petrarchan / Italian)

the Petrarchan sonnet is divided into two stanzas, the octave (the first eight lines) followed by the answering sestet (the final six lines).

Quoted from Sonnet | Academy of American Poets (poets.org glossary)

Sonnet (Shakespearean / English)

The second major type of sonnet, the Shakespearean, or English sonnet, follows a different set of rules. Here, three quatrains and a couplet follow this rhyme scheme: abab, cdcd, efef, gg.

Quoted from Sonnet | Academy of American Poets (poets.org glossary)

Villanelle

The villanelle is a highly structured poem made up of five tercets followed by a quatrain, with two repeating rhymes and two refrains.

Quoted from Villanelle | Academy of American Poets (poets.org glossary)

Ghazal

The ghazal is composed of a minimum of five couplets —and typically no more than fifteen—that are structurally, thematically, and emotionally autonomous.

Quoted from Ghazal | Academy of American Poets (poets.org glossary)

Haiku

A traditional Japanese haiku is a three-line poem with seventeen syllables, written in a 5/7/5 syllable count.

Quoted from Haiku | Academy of American Poets (poets.org glossary)

Tanka

The tanka is a thirty-one-syllable poem, traditionally written in a single unbroken line.

Quoted from Tanka | Academy of American Poets (poets.org glossary)

Pantoum

The pantoum is a poem of any length, composed of four-line stanzas in which the second and fourth lines of each stanza serve as the first and third lines of the next stanza.

Quoted from Pantoum | Academy of American Poets (poets.org glossary)

Sestina

The sestina is a complex, thirty-nine-line poem featuring the intricate repetition of end-words in six stanzas and an envoi.

Quoted from Sestina | Academy of American Poets (poets.org glossary)

Rondeau

it is composed of fifteen lines, eight to ten syllables each, divided stanzaically into a quintet, a quatrain, and a sestet.

Quoted from Rondeau | Academy of American Poets (poets.org glossary)

Triolet

The triolet is a short poem of eight lines with only two rhymes used throughout.

Quoted from Triolet | Academy of American Poets (poets.org glossary)

Terza rima

The end-word of the second line in one tercet supplies the rhyme for the first and third lines in the following tercet.

Quoted from Terza Rima | Academy of American Poets (poets.org glossary)

Ballad

A typical ballad is a plot-driven song, with one or more characters hurriedly unfurling events leading to a dramatic conclusion.

Quoted from Ballad | Academy of American Poets (poets.org glossary)

Ode

is a formal address to an event, a person, or a thing not present.

Quoted from Ode | Academy of American Poets (poets.org glossary)

Limerick

Composed of five lines or five-line stanzas, the limerick adheres to a strict rhyme scheme and bouncy rhythm

Quoted from Limerick | Academy of American Poets (poets.org glossary)

Sapphic stanza

Sapphics are made up of any number of four-line stanzas

Quoted from Sapphic | Academy of American Poets (poets.org glossary)

Blank verse

Blank verse refers to poetry that does not rhyme but follows a regular meter, most commonly iambic pentameter .

Quoted from Blank Verse | Academy of American Poets (poets.org glossary)

Couplet / heroic couplet

The rhyming iambic pentameter or five-stress couplet—later known as the heroic couplet—was introduced into English by Chaucer

Quoted from Couplet | Academy of American Poets (poets.org glossary)