Sonnet (Petrarchan / Italian)
the Petrarchan sonnet is divided into two stanzas, the octave (the first eight lines) followed by the answering sestet (the final six lines).
Quoted from Sonnet | Academy of American Poets (poets.org glossary)
Structural rules, quoted; plain explanations; public-domain examples.
Each form page quotes its structural rules from the poets.org glossary, restates them in plain words, and, where we found one, shows a public-domain example from Project Gutenberg with its original publication date.
the Petrarchan sonnet is divided into two stanzas, the octave (the first eight lines) followed by the answering sestet (the final six lines).
Quoted from Sonnet | Academy of American Poets (poets.org glossary)
The second major type of sonnet, the Shakespearean, or English sonnet, follows a different set of rules. Here, three quatrains and a couplet follow this rhyme scheme: abab, cdcd, efef, gg.
Quoted from Sonnet | Academy of American Poets (poets.org glossary)
The villanelle is a highly structured poem made up of five tercets followed by a quatrain, with two repeating rhymes and two refrains.
Quoted from Villanelle | Academy of American Poets (poets.org glossary)
The ghazal is composed of a minimum of five couplets —and typically no more than fifteen—that are structurally, thematically, and emotionally autonomous.
Quoted from Ghazal | Academy of American Poets (poets.org glossary)
A traditional Japanese haiku is a three-line poem with seventeen syllables, written in a 5/7/5 syllable count.
Quoted from Haiku | Academy of American Poets (poets.org glossary)
The tanka is a thirty-one-syllable poem, traditionally written in a single unbroken line.
Quoted from Tanka | Academy of American Poets (poets.org glossary)
The pantoum is a poem of any length, composed of four-line stanzas in which the second and fourth lines of each stanza serve as the first and third lines of the next stanza.
Quoted from Pantoum | Academy of American Poets (poets.org glossary)
The sestina is a complex, thirty-nine-line poem featuring the intricate repetition of end-words in six stanzas and an envoi.
Quoted from Sestina | Academy of American Poets (poets.org glossary)
it is composed of fifteen lines, eight to ten syllables each, divided stanzaically into a quintet, a quatrain, and a sestet.
Quoted from Rondeau | Academy of American Poets (poets.org glossary)
The triolet is a short poem of eight lines with only two rhymes used throughout.
Quoted from Triolet | Academy of American Poets (poets.org glossary)
The end-word of the second line in one tercet supplies the rhyme for the first and third lines in the following tercet.
Quoted from Terza Rima | Academy of American Poets (poets.org glossary)
A typical ballad is a plot-driven song, with one or more characters hurriedly unfurling events leading to a dramatic conclusion.
Quoted from Ballad | Academy of American Poets (poets.org glossary)
is a formal address to an event, a person, or a thing not present.
Quoted from Ode | Academy of American Poets (poets.org glossary)
Composed of five lines or five-line stanzas, the limerick adheres to a strict rhyme scheme and bouncy rhythm
Quoted from Limerick | Academy of American Poets (poets.org glossary)
Sapphics are made up of any number of four-line stanzas
Quoted from Sapphic | Academy of American Poets (poets.org glossary)
Blank verse refers to poetry that does not rhyme but follows a regular meter, most commonly iambic pentameter .
Quoted from Blank Verse | Academy of American Poets (poets.org glossary)
The rhyming iambic pentameter or five-stress couplet—later known as the heroic couplet—was introduced into English by Chaucer
Quoted from Couplet | Academy of American Poets (poets.org glossary)